by Deewane Ki Deewaniyat Movie Review : Harshvardhan Rane, Sonam Bajwa, Shaad Randhawa, Karan Veer Mehra
Movie Title: Ek Deewane Ki Deewaniyat 2025
Release Date: 2025-10-21
Runtime: 2h 21m
Genres: Romance, Drama, Thriller
Language: Hindi
Director: Milap Zaveri
Writer: Milap Zaveri, Mushtaq Sheikh, Kunaal Vermaa, Asim Raza, Rana Sotal, Sameer Anjaan, Sachin Urmtosh, Prince Dubey
Actors: Harshvardhan Rane, Sonam Bajwa, Shaad Randhawa, Karan Veer Mehra
Plot: A musical love story with dark shades of love exploring obsession, heartbreak, and deep emotional conflict
IMDB Rating: 5.0/10
The story begins between a politician and an actor. They’re opposite genders, and the law of nature is such that opposites attract. The boy is deeply in love with the girl, and the girl, in her hatred for him, has done something that even the Taj Mahal seems like a tomb. On one hand, there’s madness, on the other, there’s savagery. They’re chasing each other on the street. It’s either death or they’ll embrace each other for seven lifetimes. But it’s not as easy as it seems. The boy is about to become the Chief Minister of the state, and the girl’s fans are rife not only in the state but across the nation. When they face each other on camera, during the interval, the girl says something that’s probably never been said in Bollywood history.
I’m sure if Sandeep Panga had made this film, people would have already sent him thousands of videos, sent him abusive emails, and sent him home. While a little controversial, that dialogue fits the film’s theme. Because the girl is so blinded by hatred that she’ll burn herself to ashes, but she’ll laugh as she watches the boy become a spectacle. And has it ever happened that Harshvardhan Rani doesn’t appear in a film and break a bottle glass with his bare hands and shed blood? Will history repeat itself this time? Will Dilwala Dulhania Le Jayenge? I’m telling you clearly, there’s no logic in this film. There’s no common sense. You’ll even feel like watching TV, serials, short videos, and reels again and again. Despite that, I’m willing to bet you it’s nothing. You’ll find plenty of people who will cry after watching the film, grab their heads, and maybe even start beating themselves.
If you consider this film’s target audience, the entire 2 1/2 hours are just what they want to see. Madness, madness, madness. And the most damaging, or even effective, are the songs. One couplet, another couplet, lights a spark, another turns it into a fire. The lyrics are powerful, the singer is powerful, and the confrontation between these two in front of the camera creates a theatrical atmosphere. You’ll be swept away, and what to say about the film’s dialogues—90% of them are simply poetic, and there comes a point when you’ll start enjoying them—somehow, but they don’t feel bad.
The rest of the film’s climax will shock you again, and the final scene will be so well-prepared for two hours that you’ll find yourself emotionally invested in it even if you don’t want to. People lost control after watching Sayara, but only they can understand why. There’s a 101% chance the same thing will repeat. Just don’t lose your senses in excitement. This person’s face is designed in such a way that you can’t take your eyes off her. On screen is Sonam Bajwa, for whom people are utterly enamored, obsessed. But the moment Harsh appears on screen, you’ll forget everything. I don’t know how. But this actor has created a unique bond with people that no one can take away. Each dialogue will pierce your heart, and the responses he gives will draw you even more to this boy. By the way, you have to give Milab Zaveri a shout-out.
After the first half, he’s played such a game in the second that it’s hard to tell who the hero and who the villain were. Well done, director, and most of all, I loved seeing Shaad Randhawa. Boss, who disappeared after playing a similar role in Aashiqui 2. Watching it today reminded me of the old Bollywood. So, boss, you’ll either find this film a zero-star hit, cringe, or call it an illogical gimmick. But someone who’s truly felt it doesn’t care. They’ll celebrate every scene like it’s their own life. For me, right in between these two are two stars. One is dedicated solely to Harshvardhan Rane.
He’ll be unstoppable whenever he gets the chance. Please watch Taish and Daange once and you’ll become a fan. Secondly, the songs are good. Some of the dialogues are quite good, and the hero-villain writing is confusing, which is a good thing. Negatives: A bit outdated, old-fashioned filmmaking. Secondly, the screenplay is slow. The short story is stretched out. And personally, I think a fresh new face in this role would have been even more enjoyable. If you’re taking your family on Diwali, then holding on is great. But if you’re going back in your own life, then holding on to Harshvardhan’s hand.
